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What A Shame If Mexican Artist Is Forced To Leave Cedar Rapids
Dave Rasdal
Feb. 11, 2009 8:00 am
People like Leonardo Torcuato make Cedar Rapids and Eastern Iowa interesting. What a shame for the racial diversity and function of Cedar Rapids if Leonardo, his wife, Ana and their son, Leonardo, Jr., 3, are forced to return to Mexico. After meeting them for the second time (I wrote about them in my Ramblin' column in the July 14, 2008, Gazette.), I can see that they are genuine, friendly, concerned, contributing members of the community. They see Cedar Rapids as "home" and make it richer for the rest of us who live here.
But, due to unfortunate circumstances, the first artist-in-residence at the Paul Engle Center for the Neighborhood Arts, 1600 Fourth Ave. SE, in Cedar Rapids, may have to return to his native Juarez.
Ana, is losing her job as of Feb. 27. That means she'll no longer be liaison engineer with Electrical Components International at the Maytag plant in Amana. (See today's Ramblin' column in The Gazette.) It also means she'll lose the work visa that has allowed her and Leonardo to live in Cedar Rapids.
After talking to an immigration attorney on Monday, the couple learned the only way they can stay in Cedar Rapids is to secure sponsorship. That means someone has to offer one or both of them a job that comes with a work visa.
If someone sponsors Ana, her current work visa could be extended since she already has one.
But, if someone sponsors Leonardo, he would need to secure a work visa. That means the family would have to return to Juarez, their native community, until a work visa was approved. They are afraid of how long that might take, that people in Cedar Rapids would forget about them.
Leonardo secured his gig at the center -- and the living quarters upstairs -- because he had proved time and again his abilities and interest in reaching out to the community.
At the Johnson School for the Arts, Leonardo painted a world map with students, watching with fascination as the children became immersed in the project.
He has worked with a group that wants to expand the speaking of Spanish in the community and hopes to teach Spanish speaking citizens how to paint.
He has opened up his home for a "Day of the Dead" performance and viewing of his artwork to accompany it.
He has displayed works at Kirkwood Community College as well as at the Paul Engle Center where he became the artist-in-residence last year while creating a huge, imaginative outside mural depicting his interpretation of Engle's lyric poem, "Song of the Cedar," which praises Cedar Rapids throughout its history.
Leonardo currently has an exhibit at the center with artist Shirley Hilton. It is open, free to the public, from 5 p.m. to 7 p.m. Tuesdays and 10 a.m. to noon on Saturdays.
You can't help but be inspired when viewing the eight oil paintings related to the Flood of 2008 that Leonardo created for this exhibit using soil from various parts of flooded Cedar Rapids including Czech Village, Time Check and the southwest neighborhood near Riverside Park where Leonardo and his family were chased from their rented home.
"For me it means, like, the land on the water," he says about using pink, brown and black mud. "The soil always gives us a memory of the flood."
While sunflowers, a symbol of hope and growth, sprout from most of his paintings, the intriguing recurring theme is the Madonna or Virgin Mary, a symbol of hope in Mexico. In one painting she appears in her red and blue robes as she's a Superhero flying over the city. As Leonardo says, she watched over Cedar Rapids to make sure nobody died in the flood.

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