Young the Giant coming to Wells Fargo Arena in Des Moines

As Young The Giant continues to play shows this year, fans are seeing a band that has made its most ambitious and complex work to date in the album “American Bollywood.”

Written primarily by singer Sameer Gadhia, whose parents moved from India to the United States in 1984 shortly before he was born, “American Bollywood” tells a multi-layered, multi-generational story of the journey to reconcile the very different cultures of an immigrant’s Indian heritage and his new home in America. And reach a place where he feels he belongs and is centered within his own unique background and experiences.

“American Bollywood” is divided into four acts with four songs each that were first individually released as EPs to help make the project more digestible for fans. The four EPs, with their multiple threads and subtexts, are now assembled as a full 16-song album.

As the band’s bio describes it, the four acts represent Gadhia’s “grandparents in the old world (“Origins”), his parents finding themselves strangers in a new world (“Exile”), his fight to maintain his culture while also trying to fit in (“Battle”) and finally, reconciliation and transcendence for future generations (“Denouement”).”

Gadhia said the idea behind the collection had been percolating in his thoughts for some time, but it was during the pandemic — when Young The Giant couldn’t tour and there was time to think and create — that both a musical and lyrical structure for the album came into focus.

“I think in part, it was a story I had been always around and I just didn’t really know how to best tell it sonically and live in it,” Gadhia said in a recent phone interview. “I think it was the self-titled song, ‘American Bollywood,’ that really opened the floodgates for me.

“I was trying to find a way to meld things sonically that didn’t feel overly fusion or anything, and felt contemporary on either side of the coin of Eastern traditional and Western pop music. And I’d been wanting to tell the story of how I got here.

“In a fundamental way, I believe that us as a band, we’re all children of immigrants, and ending up in suburbia through the lens of maybe an American perspective, it’s like oh, that’s the beginning of this story of suburbia. But for us, it’s the end of a lot of trials and tribulations that may be generations long for our families to find (an identity) and arrive in a place like this. So I always was excited about telling a multi-generational story.”

Evolution

“American Bollywood” stands as an impressive achievement for a band that started out with seemingly modest intentions. Originally formed in 2004 as the Jakes while the band members were still in high school, their first music and image was light-hearted and jokey at times. Even the band’s name is spelled from the first-name initials of the five original members.

The Jakes evolved into Young The Giant in 2009 after a shift in the lineup rendered the Jakes name inapplicable. The revamped lineup of Gadhia, guitarists Eric Cannata and Jacob Tilley, drummer Francois Comtois and bassist Payam Doostzadeh got signed by Roadrunner Records that year and in 2010 emerged with the “Young The Giant” album and an expansive guitar pop/rock sound.

By the time the debut album finished its run, it had established Young The Giant as a band to watch, and yielded a pair of top-five alternative rock hits in “My Body” and “Cough Syrup.”

The band members then began to broaden their sound on the 2014 album, “Mind Over Matter,” working synthesizers and other new textures into their guitar-centered sound. The sophomore outing included a Top-Five alt-rock single, “It’s About Time,” while the title track peaked at No. 15.

The band’s next two albums each produced an additional Top 10 alt-rock single — “Something To Believe In” from 2016’s “Home of the Strange” and “Superposition” from 2018’s “Mirror Master” — while adding new dimensions to Young The Giant’s sound and broaching a few of the immigrant themes that are now explored with depth and grace on “American Bollywood.”

The latest album not only represents a lyrical triumph, it takes Young The Giant’s music to a new level, as well. Especially over the first half of “American Bollywood,” the band members find ways to cohesively weave Eastern instrumental sounds into several of the songs. (Gadhia’s father even plays tablas on the album.) This blend is especially effective on songs like the hooky rocker “Wake Up,” which takes on a mystical musical quality with its droning tones, and “Insomnia,” whose dreamy effect is enhanced by the blended instrumentation. The Indian elements, though, don’t diminish the band’s established sound. “American Bollywood” still is an album of accessible, frequently epic pop-rock.

On tour

Young The Giant figures to continue to feature songs from “American Bollywood” in the band’s shows this year, with a stop Sept. 13 at the Wells Fargo Arena in Des Moines.

Gadhia said he thinks the new and older songs work well together in the concerts.

“It’s a fine balance of stuff for ourselves and stuff for the fans at the shows,” he said. “I think in a lot of ways, ‘American Bollywood,’ the way it was structured, is a culmination of our full discography. There’s a way songs from each record fit into the narrative of this four-act structure.”

While Gadhia explored a wide range of issues that relate to his life experience on “American Bollywood,” there remain issues to explore and resolve. He noted he still feels like, as he puts it in the song “My Way,” like “a kid from nowhere looking for a place to find.”

“I think that’s still a feeling that I have. I think a lot of immigrants and first-generation Americans, and even people who just feel like they don’t really fit into their hometowns or they don’t fit into like what is prescribed for them by society, there are some of us who are misfits and will always see themselves as that,” he said.

“And I think in part, it was just I was a guinea pig for this family culture. I didn’t have a pre-set idea for how things were going to be. It’s not like I could ask my parents like ‘OK, like what was your prom like?’ That was part of navigating through a new world.

“And then also, it’s still about feeling just not quite understood in India. I was not born and raised there. Indian American culture has its own feeling and its own nuance that I think is obviously just different than being from India. So I still feel that.”