116 3rd St SE
Cedar Rapids, Iowa 52401
In early 2020, Michael “Fitz” Fitzpatrick of Fitz and the Tantrums was looking forward to touring to promote the group’s latest album, “All The Feels.” But like virtually every music act, any plans for 2020 were turned upside down by the pandemic.
In Fitzpatrick’s case, he was able to use his suddenly open schedule to do something that would not have happened otherwise — write and record his recently released solo album, “Head Up High.”
“It just felt like I was given this amazing opportunity to just explore any idea I wanted, go down any avenue, not have to be responsible or beholden to what people expect from Fitz and the Tantrums,” he said in a mid-May phone interview. “It was honestly nice also to take a break from being a part of collective creatively, and just be able to make some decisions that were 100 percent mine to own and succeed or fail with.”
That doesn’t mean Fitzpatrick has forgotten about “All The Feels.” In fact, now that Fitz and the Tantrums have regrouped to return to the touring routine this summer, that 2019 album will remain a focus of the live shows — like the one the group will play July 2, 2021, in the outdoor McGrath Amphitheatre in downtown Cedar Rapids.
What: Fitz and the Tantrums in concert
Where: McGrath Amphitheatre, 475 First St. SW, Cedar Rapids
When: 7 p.m. July 2, 2021; gates open at 6 p.m., food court at 5 p.m.
Tickets: $39 to $69.50; creventslive.com/events/2021/fitz-and-the-tantrums
Extras: Seating provided in Orchestra and Terrace; Pit is standing room only; bring blankets and chairs for Lawn seating
Band’s website: fitzandthetantrums.com/
“I feel like we didn’t get a full record cycle,” he said. “The funny thing is, the big song off of the last record, ‘I Just Wanna Shine,’ is getting bigger and bigger by the day. It’s streaming more now than it ever has. So I’m excited to play the ‘All The Feels’ album now that people have really had a chance to really live with it.”
As for “Head Up High,” songs from that new solo album may eventually figure into Fitz and the Tantrums’ shows, but that’s not a given, considering the first priority is getting back up to speed with playing material from the band’s four studio albums.
“I might throw in one or two of those,” Fitzpatrick said of his solo songs. “It’s hard to know. We’ve really only seen each other three times in a year, so we’ve got to get back in work (mode) for a second, for sure, to dust off the cobwebs.”
Fitzpatrick had enough sweat, effort and time invested in “All The Feels” that it’s only natural he wants that album to get a proper tour cycle.
A big hurdle was trying to come up with a single Fitzpatrick felt could that could measure up with “HandClap,” the multi-chart hit from the band’s self-titled 2016 album. Like many artists before him who had felt the pressure in trying to follow up a hit song, Fitzpatrick readily admitted he struggled with expectations “HandClap” created.
“It’s tough, because as much as you say I’m going to put that song out of my head, it’s always this quiet little monkey on your back,” Fitzpatrick said. “And if you try and set that as the benchmark, you’re almost guaranteed failure, because it’s just automatically sucking the oxygen out of the room.”
After months of fruitless songwriting, Fitzpatrick finally was able to eject that back-riding monkey when he thought back to how “HandClap” was written in the first place.
“What I had to finally do was come to the realization that we didn’t try and write ‘HandClap’ when we wrote it,” he said. “I just tried to put my intellect to the side and just come from more of a visceral, primal place, which is how I achieved that (song).”
The number that finally put the “All The Feels” album on track was “123456,” about regaining self-confidence after a period of doubt and insecurity. It helped Fitzpatrick start seeing a lyrical thread around which he could build the entire album.
“I really started to see this theme of self-care, of self-love, of just processing all of these emotions,” he said. “Then that became my filter for everything and what made the cut or not was, ‘Does this make me feel something?’ ”
If Fitzpatrick explores some weighty topics on “All The Feels,” the band’s fourth album, he and his co-writers also continued Fitz and the Tantrums’ tradition of making fun music. That tone was established in 2008 in Los Angeles when Fitzpatrick formed the band with Noelle Scaggs (vocals/percussion), James King (saxophone/multi-instrumentalist), Jeremy Ruzumna (keyboards), John Wicks (drums) and Ethan Phillips (since replaced on bass by Joseph Karnes).
Now Fitzpatrick has added “Head Up High” to his catalog of music. And the album isn’t hugely different from a Fitz and the Tantrums release, considering it’s largely made up of buoyant, dance-friendly songs filled with vocal hooks, bright instrumentation and upbeat lyrics.
The tone of the album was very much intentional.
“You know, everybody was down (during the pandemic),” Fitzpatrick said. “And I wrote a couple of depressing pandemic songs. I literally wrote a song called ‘Virus.’ I was like, ‘I don’t want to share this song. I’m living through this song. I don’t need any more depressing (expletive) in my life.’
“I was like, ‘I need hope and positivity, and I want songs that make me want to dance around the room and at least give me a temporary sense of joy in this dread cycle we’re all in.’
“I would listen to those songs, those pandemic songs, and I was like, ‘I don’t want to listen to that. That’s depressing.’ No, if I don’t want to (hear it) and I wrote it, then nobody else is going to want to.”